Tie & Dye
The art of tying and dyeing fabric is known as Bandhani or Bandhej in
Madhya Pradesh. This delicate technique represents the earliest forms of
resist patterning. In this process, parts of the fabric are tied with
thread or twined into minute knots and then dipped in dye. Mandsaur
produces excellent bandhanis. In Indore and Ujjain also, craftspersons
produce exquisite samples of tie and dye.
Tribal Music
The tribal music is undoubtedly very rich in content.
Countryside Music
It includes legendry narratives, ceremonial songs, work songs and the
songs linked with rituals, love longings and occupations. Its music
survives in cross-cultural traits of social relationships. Its
structural shades vary from caste to caste and from region to region.
Bhakti Music
The third group of songs has a close affinity with the Bhakti cult of the
medieval period. The vast concourse of these songs draws themes from
mythology and ranges from the traditional Harikatha to the simple
rendering of old Bhajans, art songs, lyrics of poets Chandra Sakhi and
Sukhai and the devotional songs attributed to Ramdev, etc. Thousands of
songs and Vaishnav padas are sung into varied complexion under religious
and devotional fervour. Some of the complexions even admit embellishment
and to a small degree tanas and alap in their stylized crudeness.
Musical Instruments
The drums are of various types and the technique of drumming among the
tribals is fascinating. In Bastar there are big drums played by sticks.
The Bhils use heavy Dhols and Mandals. There are small -sized drums. The
Durbari of the Bhils, that is the Dumri of the Gonds is identical to the
Goga Dhol of Dandakaranya. The Mandri is a mini Mandal. Like the
narrow-waist Dhak of the Bhils, there is the Parang drum of the Murias.
The Ghera is an octagonal rim stretched with goat hide played by one
padded stick. The Dphala, the Chang, the Damahu, the Timki and the Tasa
are different types of membranophonic instruments. The drumming is an
invitation or a call for dancing.
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